132 bars of 4/4 at 117 BPM, about 4:31 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 6-12, 14-20 and 22, and 3 more places -- 23.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13 fills to learn, played 36 times: bars 3, 4, 5, 21, 29, 33 and 30 more.
9 more fills are written out on the fills page.
132 bars across 13 sections: 72 keep time, 37 are fills, 5 are stops and 2 are silent. The longest unbroken stretch of time is bars 7-20.
117 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 32 out of 100; the rest of the number is everything around it.
132 bars, about 4:31 at the written tempo. The course breaks it into 43 exercises over 11 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 36 times: bars 3, 4, 5, 21, 29, 33 and 30 more.