182 bars of 4/4 at 128 BPM, about 5:41 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 63-65, 67-69 and 71-73, and 17 more places -- 29.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
11 fills to learn, played 17 times: bars 82, 86, 98, 102, 106, 114 and 11 more.
7 more fills are written out on the fills page.
182 bars across 13 sections: 92 keep time, 17 are fills, 41 are stops and 21 are silent. The longest unbroken stretch of time is bars 11-44.
128 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
182 bars, about 5:41 at the written tempo. The course breaks it into 51 exercises over 14 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 17 times: bars 82, 86, 98, 102, 106, 114 and 11 more.