130 bars of 4/4 at 135 BPM, about 3:51 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 34-35, 37-38 and 66-67, and 9 more places -- 25.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
13 fills to learn, played 34 times: bars 24, 31, 32, 33, 36, 63 and 28 more.
9 more fills are written out on the fills page.
130 bars across 14 sections: 74 keep time, 34 are fills, 4 are stops and 11 are silent. The longest unbroken stretch of time is bars 9-23.
135 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 30 out of 100; the rest of the number is everything around it.
130 bars, about 3:51 at the written tempo. The course breaks it into 41 exercises over 11 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 34 times: bars 24, 31, 32, 33, 36, 63 and 28 more.