86 bars of 4/4 at a walking 105 BPM, 3:17 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 16-22, 44-46 and 48-50, and 2 more places -- 24.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 22 times: bars 6, 7, 11, 15, 23, 27 and 16 more.
7 more fills are written out on the fills page.
86 bars across 15 sections: 45 keep time, 22 are fills, 1 is a stop and 5 are silent. The longest unbroken stretch of time is bars 79-85.
105 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 22 out of 100; the rest of the number is everything around it.
86 bars, about 3:17 at the written tempo. The course breaks it into 36 exercises over 9 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 22 times: bars 6, 7, 11, 15, 23, 27 and 16 more.