153 bars of 4/4 at 146 BPM, about 4:12 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 81-96 and 145-151 -- 16.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 23 times: bars 52, 56, 57, 58, 66, 68 and 17 more.
7 more fills are written out on the fills page.
153 bars across 12 sections: 80 keep time, 24 are fills, 17 are stops and 17 are silent. The longest unbroken stretch of time is bars 8-23.
146 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 18 out of 100; the rest of the number is everything around it.
153 bars, about 4:12 at the written tempo. The course breaks it into 45 exercises over 13 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 23 times: bars 52, 56, 57, 58, 66, 68 and 17 more.