89 bars of 4/4 at a walking 98 BPM, 3:38 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 20, 22 and 24, and 13 more places -- 18.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 16 times: bars 16, 17, 18, 19, 23, 27 and 10 more.
1 more fill is written out on the fills page.
89 bars across 9 sections: 61 keep time, 16 are fills and 1 is silent. The longest unbroken stretch of time is bars 33-47.
98 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 53 out of 100; the rest of the number is everything around it.
89 bars, about 3:38 at the written tempo. The course breaks it into 29 exercises over 9 sittings, about 24 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 16 times: bars 16, 17, 18, 19, 23, 27 and 10 more.