95 bars of 6/4 -- not four -- at 97 BPM, 5:49 of playing on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 10-18, 28 and 30, and 3 more places -- 28.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
9 fills to learn, played 13 times: bars 3, 9, 19, 25, 26, 27 and 7 more.
5 more fills are written out on the fills page.
95 bars across 7 sections: 44 keep time, 13 are fills and 31 are silent. The longest unbroken stretch of time is bars 10-18.
97 BPM, in 6/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 46 out of 100; the rest of the number is everything around it.
95 bars, about 5:49 at the written tempo. The course breaks it into 25 exercises over 8 sittings, about 24 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 13 times: bars 3, 9, 19, 25, 26, 27 and 7 more.