139 bars of 4/4 at 146 BPM, about 3:48 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 5, 7 and 38, and 3 more places -- 13.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 15 times: bars 8, 20, 28, 41, 49, 57 and 9 more.
1 more fill is written out on the fills page.
139 bars across 14 sections: 86 keep time, 16 are fills, 16 are stops and 3 are silent. The longest unbroken stretch of time is bars 94-103.
146 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
139 bars, about 3:48 at the written tempo. The course breaks it into 43 exercises over 13 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 15 times: bars 8, 20, 28, 41, 49, 57 and 9 more.