127 bars at 170 BPM -- fast, and 2:59 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 30, 35-40 and 42-48, and 7 more places -- 18.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 20 times: bars 27, 28, 34, 50, 54, 61 and 14 more.
6 more fills are written out on the fills page.
127 bars across 8 sections: 74 keep time, 20 are fills, 8 are stops and 15 are silent. The longest unbroken stretch of time is bars 35-49.
170 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 52 out of 100; the rest of the number is everything around it.
127 bars, about 2:59 at the written tempo. The course breaks it into 36 exercises over 11 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 20 times: bars 27, 28, 34, 50, 54, 61 and 14 more.