126 bars of 3/4 -- not four -- at 120 BPM, 3:09 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 20-22, 24-26 and 46-48, and 9 more places -- 28.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
6 fills to learn, played 17 times: bars 9, 17, 18, 29, 31, 43 and 11 more.
2 more fills are written out on the fills page.
126 bars across 9 sections: 99 keep time, 17 are fills, 2 are stops and 2 are silent. The longest unbroken stretch of time is bars 67-80.
120 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 41 out of 100; the rest of the number is everything around it.
126 bars, about 3:09 at the written tempo. The course breaks it into 30 exercises over 8 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 17 times: bars 9, 17, 18, 29, 31, 43 and 11 more.