118 bars of 4/4 at 154 BPM, about 3:04 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 19-20, 29-32 and 44-45, and 6 more places -- 21.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 22 times: bars 11, 18, 28, 35, 36, 43 and 16 more.
4 more fills are written out on the fills page.
118 bars across 11 sections: 80 keep time, 22 are fills and 4 are stops. The longest unbroken stretch of time is bars 102-112.
154 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
118 bars, about 3:04 at the written tempo. The course breaks it into 34 exercises over 9 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 22 times: bars 11, 18, 28, 35, 36, 43 and 16 more.