133 bars of 3/4 -- not four -- at 146 BPM, 2:44 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 53-54, 59-62 and 75-76, and 1 more place -- 9.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13 fills to learn, played 28 times: bars 8, 9, 10, 14, 19, 20 and 22 more.
9 more fills are written out on the fills page.
133 bars across 21 sections: 63 keep time, 28 are fills, 9 are stops and 8 are silent. The longest unbroken stretch of time is bars 104-109.
146 BPM, in 3/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
78 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 89 out of 100; the rest of the number is everything around it.
133 bars, about 2:44 at the written tempo. The course breaks it into 60 exercises over 20 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 28 times: bars 8, 9, 10, 14, 19, 20 and 22 more.