88 bars of 4/4 at a walking 84 BPM, 4:11 of playing, on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 48-55 and 73-88 -- 27.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5 fills to learn, played 8 times: bars 25, 37, 56, 58, 59, 60 and 2 more.
1 more fill is written out on the fills page.
88 bars across 7 sections: 70 keep time, 8 are fills, 2 are stops and 1 is silent. The longest unbroken stretch of time is bars 73-88.
84 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
88 bars, about 4:11 at the written tempo. The course breaks it into 25 exercises over 6 sittings, about 28 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 8 times: bars 25, 37, 56, 58, 59, 60 and 2 more.