114 bars of 4/4 at a walking 96 BPM, 4:43 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 1-2, 4 and 6, and 9 more places -- 12% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13 fills to learn, played 23 times: bars 9, 11, 15, 19, 20, 22 and 17 more.
9 more fills are written out on the fills page.
114 bars across 21 sections: 61 keep time, 23 are fills, 4 are stops and 6 are silent. The longest unbroken stretch of time is bars 1-8.
96 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 44 out of 100; the rest of the number is everything around it.
114 bars, about 4:43 at the written tempo. The course breaks it into 51 exercises over 16 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 23 times: bars 9, 11, 15, 19, 20, 22 and 17 more.