133 bars of 4/4 at a walking 104 BPM, 5:07 of playing, on crash, hi-hat, snare and kick.
The beat the song is built on is one bar, played through bars 101-107 and 109-132 -- 24.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 13 times: bars 28, 60, 61, 62, 63, 64 and 7 more.
1 more fill is written out on the fills page.
133 bars across 13 sections: 101 keep time, 13 are fills and 7 are silent. The longest unbroken stretch of time is bars 109-132.
104 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 31 out of 100; the rest of the number is everything around it.
133 bars, about 5:07 at the written tempo. The course breaks it into 35 exercises over 11 sittings, about 25 minutes each.
crash, hi-hat, snare and kick. Nothing in the part asks for anything else.
5 fills to learn, played 13 times: bars 28, 60, 61, 62, 63, 64 and 7 more.