116 bars of 4/4 at a walking 88 BPM, 5:16 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 4, 6 and 10, and 8 more places -- 16.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 12 times: bars 11, 34, 35, 49, 67, 68 and 6 more.
2 more fills are written out on the fills page.
116 bars across 11 sections: 74 keep time, 12 are fills and 20 are silent. The longest unbroken stretch of time is bars 16-33.
88 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
116 bars, about 5:16 at the written tempo. The course breaks it into 42 exercises over 14 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 12 times: bars 11, 34, 35, 49, 67, 68 and 6 more.