110 bars of 4/4 at a walking 108 BPM, 4:04 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 1-3, 5-7 and 9-15, and 1 more place -- 18.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13 fills to learn, played 35 times: bars 4, 8, 16, 18, 20, 32 and 29 more.
9 more fills are written out on the fills page.
110 bars across 11 sections: 60 keep time, 35 are fills, 3 are stops and 3 are silent. The longest unbroken stretch of time is bars 9-15.
108 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
76 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 68 out of 100; the rest of the number is everything around it.
110 bars, about 4:04 at the written tempo. The course breaks it into 35 exercises over 12 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 35 times: bars 4, 8, 16, 18, 20, 32 and 29 more.