233 bars at 195 BPM -- fast, and 4:46 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 31, 33 and 35, and 8 more places -- 12.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 18 times: bars 44, 47, 55, 67, 74, 75 and 12 more.
6 more fills are written out on the fills page.
233 bars across 20 sections: 185 keep time, 18 are fills, 6 are stops and 4 are silent. The longest unbroken stretch of time is bars 135-158.
195 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 47 out of 100; the rest of the number is everything around it.
233 bars, about 4:46 at the written tempo. The course breaks it into 72 exercises over 21 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 18 times: bars 44, 47, 55, 67, 74, 75 and 12 more.