96 bars of 4/4 at 130 BPM, about 2:57 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 9-15, 17-23 and 37-43, and 5 more places -- 36% of every bar the kit plays. Learn that one and most of the song is already under your hands.
12 fills to learn, played 18 times: bars 7, 8, 16, 24, 28, 32 and 12 more.
8 more fills are written out on the fills page.
96 bars across 10 sections: 52 keep time, 18 are fills, 13 are stops and 7 are silent. The longest unbroken stretch of time is bars 74-87.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
96 bars, about 2:57 at the written tempo. The course breaks it into 30 exercises over 7 sittings, about 28 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 18 times: bars 7, 8, 16, 24, 28, 32 and 12 more.