142 bars of 3/4 -- not four -- at 150 BPM, 3:44 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 41-43, 45-47 and 49-51 -- 7.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
15 fills to learn, played 45 times: bars 7, 8, 9, 10, 11, 15 and 39 more.
11 more fills are written out on the fills page.
147 bars across 11 sections: 59 keep time, 45 are fills, 1 is a stop and 32 are silent. The longest unbroken stretch of time is bars 53-60.
150 BPM, in 3/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
77 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 53 out of 100; the rest of the number is everything around it.
142 bars, about 3:44 at the written tempo. The course breaks it into 49 exercises over 19 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 45 times: bars 7, 8, 9, 10, 11, 15 and 39 more.