112 bars of 4/4 at a walking 108 BPM, 4:08 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 10-12, 14-16 and 18-20, and 7 more places -- 31.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 11 times: bars 9, 38, 68, 85, 86, 98 and 5 more.
3 more fills are written out on the fills page.
112 bars across 11 sections: 71 keep time, 14 are fills, 13 are stops and 3 are silent. The longest unbroken stretch of time is bars 10-28.
108 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 27 out of 100; the rest of the number is everything around it.
112 bars, about 4:08 at the written tempo. The course breaks it into 29 exercises over 7 sittings, about 30 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 11 times: bars 9, 38, 68, 85, 86, 98 and 5 more.