148 bars of 4/4 at 125 BPM, about 4:37 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 73-75, 77 and 79-81, and 8 more places -- 23.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 6 times: bars 30, 58, 59, 95, 96 and 104.
2 more fills are written out on the fills page.
148 bars across 10 sections: 130 keep time and 6 are fills. The longest unbroken stretch of time is bars 1-29.
125 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
148 bars, about 4:37 at the written tempo. The course breaks it into 39 exercises over 11 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 6 times: bars 30, 58, 59, 95, 96 and 104.