117 bars of 4/4 at a walking 108 BPM, 4:20 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 4-9, 15 and 19, and 14 more places -- 23.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 13 times: bars 41, 95, 96, 97, 98, 99 and 7 more.
1 more fill is written out on the fills page.
117 bars across 13 sections: 85 keep time, 13 are fills and 2 are silent. The longest unbroken stretch of time is bars 50-66.
108 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 49 out of 100; the rest of the number is everything around it.
117 bars, about 4:20 at the written tempo. The course breaks it into 38 exercises over 11 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 13 times: bars 41, 95, 96, 97, 98, 99 and 7 more.