77 bars of 6/4 -- not four -- at 98 BPM, 4:39 of playing on crash, ride, snare and kick.
The beat the song is built on is one bar, played through bars 22, 24 and 26, and 5 more places -- 17.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 5 times: bars 3, 33, 37, 38 and 39.
77 bars across 6 sections: 40 keep time, 5 are fills, 1 is a stop and 26 are silent. The longest unbroken stretch of time is bars 4-21.
98 BPM, in 6/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 57 out of 100; the rest of the number is everything around it.
77 bars, about 4:39 at the written tempo. The course breaks it into 19 exercises over 8 sittings, about 22 minutes each.
crash, ride, snare and kick. Nothing in the part asks for anything else.
3 fills to learn, played 5 times: bars 3, 33, 37, 38 and 39.