122 bars at 155 BPM -- fast, and 3:07 of it without a break -- on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 28, 30 and 32, and 10 more places -- 11% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 19 times: bars 5, 9, 13, 25, 33, 41 and 13 more.
8 more fills are written out on the fills page.
122 bars across 16 sections: 68 keep time, 19 are fills, 17 are stops and 4 are silent. The longest unbroken stretch of time is bars 69-81.
155 BPM, in 4/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 43 out of 100; the rest of the number is everything around it.
122 bars, about 3:07 at the written tempo. The course breaks it into 51 exercises over 15 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 19 times: bars 5, 9, 13, 25, 33, 41 and 13 more.