162 bars of 4/4 at 110 BPM, about 5:53 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 63-65, 69 and 71-73, and 2 more places -- 9.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
18 fills to learn, played 19 times: bars 13, 16, 20, 22, 24, 37 and 13 more.
14 more fills are written out on the fills page.
162 bars across 20 sections: 64 keep time, 19 are fills, 18 are stops and 48 are silent. The longest unbroken stretch of time is bars 67-73.
110 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
74 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 90 out of 100; the rest of the number is everything around it.
162 bars, about 5:53 at the written tempo. The course breaks it into 61 exercises over 18 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
18 fills to learn, played 19 times: bars 13, 16, 20, 22, 24, 37 and 13 more.