138 bars of 4/4 at a walking 94 BPM, 5:51 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 13-15, 17-19 and 29, and 8 more places -- 13.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
26 fills to learn, played 39 times: bars 8, 16, 20, 24, 28, 32 and 33 more.
22 more fills are written out on the fills page.
138 bars across 21 sections: 53 keep time, 39 are fills, 17 are stops and 16 are silent. The longest unbroken stretch of time is bars 46-51.
94 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
75 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 71 out of 100; the rest of the number is everything around it.
138 bars, about 5:51 at the written tempo. The course breaks it into 64 exercises over 17 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
26 fills to learn, played 39 times: bars 8, 16, 20, 24, 28, 32 and 33 more.