108 bars of 4/4 at a walking 95 BPM, 4:31 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 17-19, 21-23 and 28, and 11 more places -- 27.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
11 fills to learn, played 16 times: bars 20, 24, 25, 26, 40, 42 and 10 more.
7 more fills are written out on the fills page.
108 bars across 9 sections: 50 keep time, 17 are fills, 4 are stops and 29 are silent. The longest unbroken stretch of time is bars 76-81.
95 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
108 bars, about 4:31 at the written tempo. The course breaks it into 30 exercises over 8 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 16 times: bars 20, 24, 25, 26, 40, 42 and 10 more.