202 bars of 4/4 at 124 BPM, about 6:29 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 43-49, 63-70 and 81-87, and 4 more places -- 22.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 15 times: bars 57, 92, 95, 128, 130, 132 and 9 more.
8 more fills are written out on the fills page.
202 bars across 17 sections: 152 keep time, 15 are fills and 7 are stops. The longest unbroken stretch of time is bars 1-28.
124 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
202 bars, about 6:29 at the written tempo. The course breaks it into 57 exercises over 17 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 15 times: bars 57, 92, 95, 128, 130, 132 and 9 more.