89 bars of 4/4 at 120 BPM, about 2:57 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 28-34, 36-42 and 44-50, and 1 more place -- 32.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
14 fills to learn, played 22 times: bars 5, 7, 9, 11, 12, 13 and 16 more.
10 more fills are written out on the fills page.
89 bars across 9 sections: 42 keep time, 24 are fills, 13 are stops and 3 are silent. The longest unbroken stretch of time is bars 36-42.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 52 out of 100; the rest of the number is everything around it.
89 bars, about 2:57 at the written tempo. The course breaks it into 35 exercises over 10 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 22 times: bars 5, 7, 9, 11, 12, 13 and 16 more.