154 bars of 4/4 at 152 BPM, about 4:30 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 10-11, 21-22 and 52-53, and 5 more places -- 10.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 17 times: bars 9, 38, 46, 51, 56, 57 and 11 more.
8 more fills are written out on the fills page.
154 bars across 19 sections: 85 keep time, 17 are fills, 3 are stops and 26 are silent. The longest unbroken stretch of time is bars 28-37.
152 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
74 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 51 out of 100; the rest of the number is everything around it.
154 bars, about 4:30 at the written tempo. The course breaks it into 54 exercises over 18 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 17 times: bars 9, 38, 46, 51, 56, 57 and 11 more.