118 bars at 182 BPM -- fast, and 2:36 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 5-7, 25 and 35, and 5 more places -- 12.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 32 times: bars 8, 9, 10, 17, 18, 24 and 26 more.
10 more fills are written out on the fills page.
118 bars across 14 sections: 64 keep time, 32 are fills, 4 are stops and 1 is silent. The longest unbroken stretch of time is bars 84-91.
182 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
118 bars, about 2:36 at the written tempo. The course breaks it into 58 exercises over 17 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 32 times: bars 8, 9, 10, 17, 18, 24 and 26 more.