283 bars of 4/4 at a walking 100 BPM, 10:15 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 17-22, 24-30 and 33-43, and 10 more places -- 27% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
19 fills to learn, played 26 times: bars 16, 32, 64, 71, 72, 80 and 20 more.
15 more fills are written out on the fills page.
283 bars across 17 sections: 180 keep time, 26 are fills, 9 are stops and 57 are silent. The longest unbroken stretch of time is bars 188-218.
100 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 22 out of 100; the rest of the number is everything around it.
283 bars, about 10:15 at the written tempo. The course breaks it into 57 exercises over 15 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
19 fills to learn, played 26 times: bars 16, 32, 64, 71, 72, 80 and 20 more.