69 bars, 3:49, at 70 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, mid tom, floor tom and kick and nothing else.
The beat the song is built on is one bar, played through bars 6-14 and 37 -- 16.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
16 fills to learn, played 19 times: bars 15, 17, 21, 23, 27, 29 and 13 more.
12 more fills are written out on the fills page.
69 bars across 7 sections: 35 keep time, 19 are fills, 3 are stops and 8 are silent. The longest unbroken stretch of time is bars 5-14.
70 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 31 out of 100; the rest of the number is everything around it.
69 bars, about 3:49 at the written tempo. The course breaks it into 33 exercises over 9 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 19 times: bars 15, 17, 21, 23, 27, 29 and 13 more.