68 bars, 4:46, at 57 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is one bar, played through bars 21-27, 49-51 and 53-55, and 1 more place -- 30.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
10 fills to learn, played 19 times: bars 3, 5, 8, 12, 14, 16 and 13 more.
6 more fills are written out on the fills page.
68 bars across 9 sections: 40 keep time, 19 are fills, 1 is a stop and 2 are silent. The longest unbroken stretch of time is bars 39-46.
57 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
73 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 65 out of 100; the rest of the number is everything around it.
68 bars, about 4:46 at the written tempo. The course breaks it into 33 exercises over 10 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 19 times: bars 3, 5, 8, 12, 14, 16 and 13 more.