101 bars at 170 BPM -- fast, and 2:15 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 38-40 and 42-48 -- 11.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 27 times: bars 3, 4, 5, 6, 7, 24 and 21 more.
5 more fills are written out on the fills page.
114 bars across 9 sections: 56 keep time, 27 are fills, 2 are stops and 24 are silent. The longest unbroken stretch of time is bars 39-48.
170 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 24 out of 100; the rest of the number is everything around it.
101 bars, about 2:15 at the written tempo. The course breaks it into 32 exercises over 9 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 27 times: bars 3, 4, 5, 6, 7, 24 and 21 more.