110 bars of 4/4 at 153 BPM, about 2:50 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 64-70 and 72-78 -- 13% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
23 fills to learn, played 36 times: bars 4, 6, 8, 12, 16, 17 and 30 more.
19 more fills are written out on the fills page.
110 bars across 14 sections: 53 keep time, 36 are fills, 7 are stops and 2 are silent. The longest unbroken stretch of time is bars 51-57.
153 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
84 out of 100. Hard, and what makes it hard is how many notes a second it asks for. The beat itself is 47 out of 100; the rest of the number is everything around it.
110 bars, about 2:50 at the written tempo. The course breaks it into 62 exercises over 21 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
23 fills to learn, played 36 times: bars 4, 6, 8, 12, 16, 17 and 30 more.