116 bars of 4/4 at 120 BPM, about 3:52 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 9-14, 16-21 and 23-25, and 8 more places -- 30.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
3 fills to learn, played 6 times: bars 41, 62, 63, 76, 105 and 106.
116 bars across 17 sections: 61 keep time, 7 are fills, 26 are stops and 9 are silent. The longest unbroken stretch of time is bars 42-48.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
32 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 17 out of 100; the rest of the number is everything around it.
116 bars, about 3:52 at the written tempo. The course breaks it into 33 exercises over 8 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 6 times: bars 41, 62, 63, 76, 105 and 106.