78 bars of 4/4 at a walking 82 BPM, 3:47 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 22-29, 52-54 and 56-58, and 4 more places -- 33.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
4 fills to learn, played 8 times: bars 2, 30, 31, 32, 44, 75 and 2 more.
78 bars across 6 sections: 64 keep time, 8 are fills and 1 is a stop. The longest unbroken stretch of time is bars 53-74.
82 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
78 bars, about 3:47 at the written tempo. The course breaks it into 22 exercises over 7 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 8 times: bars 2, 30, 31, 32, 44, 75 and 2 more.