52 bars, 2:46, at 75 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is one bar, played through bars 5-20 -- 33.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 7 times: bars 28, 32, 34, 36, 44, 48 and 1 more.
3 more fills are written out on the fills page.
52 bars across 6 sections: 37 keep time, 7 are fills and 4 are silent. The longest unbroken stretch of time is bars 5-20.
75 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 24 out of 100; the rest of the number is everything around it.
52 bars, about 2:46 at the written tempo. The course breaks it into 22 exercises over 7 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 7 times: bars 28, 32, 34, 36, 44, 48 and 1 more.