85 bars of 4/4 at 150 BPM, about 2:16 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 17, 20-21 and 24-25, and 3 more places -- 15.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 8 times: bars 13, 14, 18, 22, 26, 45 and 2 more.
1 more fill is written out on the fills page.
85 bars across 9 sections: 50 keep time, 8 are fills, 16 are stops and 2 are silent. The longest unbroken stretch of time is bars 29-37.
150 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
68 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 47 out of 100; the rest of the number is everything around it.
85 bars, about 2:16 at the written tempo. The course breaks it into 33 exercises over 11 sittings, about 24 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 8 times: bars 13, 14, 18, 22, 26, 45 and 2 more.