142 bars of 6/4 -- not four -- at 152 BPM, 5:36 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 10-16, 34-37 and 40 -- 12.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 19 times: bars 3, 9, 17, 25, 34, 35 and 13 more.
8 more fills are written out on the fills page.
142 bars across 14 sections: 60 keep time, 19 are fills, 1 is a stop and 48 are silent. The longest unbroken stretch of time is bars 10-16.
152 BPM, in 6/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 54 out of 100; the rest of the number is everything around it.
142 bars, about 5:36 at the written tempo. The course breaks it into 50 exercises over 13 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 19 times: bars 3, 9, 17, 25, 34, 35 and 13 more.