106 bars of 4/4 at 112 BPM, about 3:47 of playing, on crash, ride, hi-hat, snare, mid tom, kick and hi-hat foot.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-16, ride through bars 17-20, hi-hat through bars 21-32, ride through bars 33-40, snare through bars 41-48 and ride through bars 49-50, and 6 more changes after that.
The beat the song is built on is one bar, played through bars 41-45, 71-75 and 88-94, and 2 more places -- 28.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
41
1e+a2e+a3e+a4e+a
CC |x---x---x---x---|
SD |----x-------x---|
BD |x--x------x--x--|4 fills to learn, played 12 times: bars 16, 32, 46, 48, 62, 76 and 6 more.
It cuts the song into 24 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
112 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
106 bars, about 3:47 at the written tempo. The course breaks it into 24 exercises over 7 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 12 times: bars 16, 32, 46, 48, 62, 76 and 6 more.