106 bars of 4/4 at 112 BPM, about 3:47 of playing, on crash, ride, hi-hat, snare, mid tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 41-45, 71-75 and 88-94, and 2 more places -- 28.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
4 fills to learn, played 12 times: bars 16, 32, 46, 48, 62, 76 and 6 more.
106 bars across 10 sections: 68 keep time, 12 are fills, 3 are stops and 15 are silent. The longest unbroken stretch of time is bars 50-61.
112 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
106 bars, about 3:47 at the written tempo. The course breaks it into 24 exercises over 7 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 12 times: bars 16, 32, 46, 48, 62, 76 and 6 more.