58 bars at 180 BPM -- fast, and 1:17 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 17-24 and 51-54 -- 22.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
2 fills to learn, played 3 times: bars 8, 16 and 58.
58 bars across 10 sections: 44 keep time, 3 are fills and 5 are silent. The longest unbroken stretch of time is bars 26-33.
180 BPM, in 4/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
80 out of 100. Hard, and what makes it hard is how many notes a second it asks for. The beat itself is 61 out of 100; the rest of the number is everything around it.
58 bars, about 1:17 at the written tempo. The course breaks it into 24 exercises over 8 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 3 times: bars 8, 16 and 58.