110 bars of 4/4 at a walking 99 BPM, 4:27 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 5-7, 9-10 and 36-38, and 3 more places -- 13.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
18 fills to learn, played 43 times: bars 4, 8, 12, 13, 17, 21 and 37 more.
14 more fills are written out on the fills page.
110 bars across 11 sections: 39 keep time, 43 are fills, 17 are stops and 1 is silent. The longest unbroken stretch of time is bars 27-30.
99 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
71 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 52 out of 100; the rest of the number is everything around it.
110 bars, about 4:27 at the written tempo. The course breaks it into 51 exercises over 16 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
18 fills to learn, played 43 times: bars 4, 8, 12, 13, 17, 21 and 37 more.