90 bars of 4/4 at a walking 86 BPM, 4:10 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 18, 20-23 and 37, and 10 more places -- 28.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 9 times: bars 47, 53, 55, 57, 65, 69 and 3 more.
3 more fills are written out on the fills page.
90 bars across 8 sections: 67 keep time, 9 are fills and 2 are stops. The longest unbroken stretch of time is bars 1-17.
86 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 30 out of 100; the rest of the number is everything around it.
90 bars, about 4:10 at the written tempo. The course breaks it into 33 exercises over 9 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 9 times: bars 47, 53, 55, 57, 65, 69 and 3 more.