72 bars of 4/4 at 150 BPM, about 1:53 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 29-31 and 33-35 -- 11.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 10 times: bars 20, 25, 26, 27, 28, 60 and 4 more.
2 more fills are written out on the fills page.
72 bars across 8 sections: 20 keep time, 10 are fills, 16 are stops and 19 are silent. The longest unbroken stretch of time is bars 30-35.
150 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 52 out of 100; the rest of the number is everything around it.
72 bars, about 1:53 at the written tempo. The course breaks it into 24 exercises over 8 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 10 times: bars 20, 25, 26, 27, 28, 60 and 4 more.