103 bars of 4/4 at a walking 105 BPM, 3:55 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 17-23, 25-29 and 42-48, and 3 more places -- 26% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 22 times: bars 4, 8, 24, 30, 31, 32 and 16 more.
3 more fills are written out on the fills page.
103 bars across 12 sections: 58 keep time, 22 are fills, 9 are stops and 3 are silent. The longest unbroken stretch of time is bars 68-77.
105 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
103 bars, about 3:55 at the written tempo. The course breaks it into 29 exercises over 7 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 22 times: bars 4, 8, 24, 30, 31, 32 and 16 more.