129 bars of 3/4 -- not four -- at 125 BPM, 3:25 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 33-38, 49-54 and 81-86 -- 14.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
29 fills to learn, played 56 times: bars 4, 8, 10, 12, 14, 18 and 50 more.
25 more fills are written out on the fills page.
129 bars across 13 sections: 54 keep time, 56 are fills and 3 are silent. The longest unbroken stretch of time is bars 34-39.
125 BPM, in 3/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
82 out of 100. Hard, and what makes it hard is how many notes a second it asks for. The beat itself is 91 out of 100; the rest of the number is everything around it.
129 bars, about 3:25 at the written tempo. The course breaks it into 60 exercises over 20 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
29 fills to learn, played 56 times: bars 4, 8, 10, 12, 14, 18 and 50 more.